Koji Color Color Film Luts For Macos
- Koji Color Color Film Luts For Macos 10.13
- Color Film Brands
- Koji Color Color Film Luts For Macos 10
- Koji Color Color Film Luts For Macos 7
- Koji Color Luts
- Color Motion Picture
“Osiris are the nine must-have LUTs for cinematic color grading”
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Cinematic done right.
A collection of 9 high quality cinematic look LUTs that turn generic video footage into dazzling cinematic visuals with the click of a button.
Koji Color Film Color LUTs MAC.zip (57.25 MB) Choose free or premium download SLOW DOWNLOAD. The collection prepared by FixThePhoto includes 20 Film LUTs in a.CUBE format, which are perfectly suitable for fast video color grading. They have been carefully developed by professionals and can be used by experienced videographers, beginners, bloggers, filmmakers, photographers, travelers – basically everyone, who deals with video editing. 21.5 iMAC Retina 4K display. MacOS High Sierra v. 3.1 GHz quad-core Intel Core i5, Turbo Boost up to 3.6 GHz. Memory 8 GB 1867 MHz LPDDR3.
The organic looks in this collection are based on analog film scans that have been photochemically processed and developed by industry professionals and scanned using state of the art technology. The scans have been converted to 3D LUTs using our proprieaty, pixel-perfect image matching system.
It just works.
OSIRIS™ is optimized for color spaces of all current generation cameras by offering fine-tuned Rec709 and LOG calibrations.
The native CUBE 3D LUT format guarantees cross-platform compatability with all editing and grading applications. OSIRIS™ also runs directly on many cameras, monitors and GPUs. This LUT collection is an essential tool for filmmakers, cinematographers and colorists who want to speed up their workflow and increase their production value with the organic quality of expertly color timed film stocks.
- 9 Cinematic Motion Picture Looks
- Includes M31 Cinema LUT™
- Used on more than 20.000 productions
- All LUTs available as Rec709 & LOG
- For any camera and any application*
- Instant download - guided setup.
- OSIRIS LUTs (Full Version)
- ImpulZ™ Film Emulations (Full Version)
- Individual Licenses - All features.
- Massive bundle of 2000 LUTs!
- For any camera and any application*
OSIRIS LUTs have been used on over 20.000 film productions, music videos and commercials. Check out our Vimeo Channel for more!
Koji Color: Film Color LUTs Plugins for Premiere, FCPX, After Effects and Resolve (Win/Mac)SIZE : 116 MB
Koji is highly accurate motion picture film color, developed by veterans of the film industry. Each Koji film stock has been carefully color-managed from the lab through to internet delivery. Koji works with Davinci Resolve, Premiere Pro, Final Cut Pro X, After Effects, and Autodesk Smoke.
Koji Color Color Film Luts For Macos 10.13
Color Film Brands
Color by Dale GrahnAs color timer for Steven Spielberg and Francis Ford Coppola, and with hundreds of major film credits, Dale created much of the look of modern cinema. Dale leads the color team at Koji.
Koji Color Color Film Luts For Macos 10
Koji works natively inside your editing or color correction software. Simply apply it to your footage, and use your app’s color correction controls to refine the image. Koji already contains all of the necessary color space and gamma conversions required, so you can focus on your creative grade.
Koji is based on standard .cube and .3dl LUTs, which are simple to use and work natively with your favorite editing or color app. Just import the LUT file, apply it, and then refine your image using the color correction controls you already know.
Koji Color Color Film Luts For Macos 7
Koji works with a wide range of modern cameras used for digital cinema. From Canon and Panasonic DSLRs to the Arri Alexa and RED Dragon, Koji makes the most of the available color information in each frame to deliver a superb image.
Koji Color Luts
In the course of developing Koji, we worked with nearly every major film lab in Hollywood, with Dale onsite to check LAD and oversee print quality at every stage. Most of the film stocks we used have since been discontinued. By painstakingly preserving the color response of these film stocks, we hope to maintain the beauty of film color for future filmmakers to use.